I watch one bad movie each year. This year, there have been one too many. In no necessary order of preference. Note: It contains nothing that hasn't been said before.
Tees Maar Khan:
I have the unique ability to sleep through movies. It's subject to much jokes among friends, but sometimes it serves as a boon. If the movie seems too boring, my brain automatically shuts down, and I can't really control it. So yeah, I slept through a better part of the second half of TMK, which some of you would've liked to do.
You could ask me why I went in the first place. Having watched "After the Fox" just a few days back, I was just curious to witness the massacre, given the bad reviews. (A was particularly offended by the fact that the credits don't mention the original anywhere.)
Either way, from what I watched, the Priyadarshan-ization of Farah Khan is rather depressing. While they ripped the jokes from the original, they really stripped the joke of the humour, and they're left to being wimpy lines like "day ho". People still laugh in the theater, so it should work out fine for the monies, but it really insults the intelligence.
The so called saving grace of the movie, 'I am Sheila's flaming youth', comes much too early in the movie for anyone to want to wolf-whistle. I am a huge fan of pep-uppy item songs, but they always seem nicer when you already know the character. (A good example would be Rajini movies, where even the non-contextual songs are often awesomely placed.) But then again, if I'd heard Katrina speak, I would've pelted rotten eggs at the screen (or perhaps, slept through it). Ms. Kaif would undoubtedly win the fingernails-on-chalkboard for me, if it wasn't for a certain Ms. Kapoor who drives me insane.
Aisha:
Hated it. HATED IT.
With Abhay Deol being on the cast, one would hope that the movie was redeemable despite the presence of unbearably annoying Ms. Kapoor whose lisp (or whatever the weird accent is) makes me want to kill her. From the beginning, you never quite warm up to Aisha, though you buy her rich spoilt brat act, as most of her is hidden behind layers of fashion and froth. In a movie like DCH, about rich spoilt brats, we liked them because there was a semblance of connect. Here, nothing.
Which seems to be the problem with most Hindi movies - over-stylized to an extent where you don't seem to know where the story lies.
The movie drags on and on. And on with this: Shopping. Party. Shopping. Races. Shopping. Camping. Shopping. You get the drift? In between there are a couple of songs, and it ends with some monologues.
The only good thing that come out of the movie, for me was the fact that inspired by Aisha, and her black nailpolish, I decided to experiment, and since then, toenails have been painted blue, purple, green etc.
Guzaarish:
Ah, 16 part YouTube uploads, how I love you.
Yet another over-stylized movie, hidden within layers of froth and curtains. The movie had a huge potential of exploring relationships: of the love-hate relationship between a bed-bound person and his sole provider (who is his sole companion), or that between the magician and the apprentice (who comes across as a counterpoint to the nurse in intelligence and spirit), or that between the nurse and her husband (who should be insecure about her devotion for her master.)
Zilch.
Instead we see, Curtains, bedsheets, tall windows, and long monologues. And the red to match. The emotions and relationships, we're left to guess. Inspired by 'Prestige', my ass.
Hritik Roshan is a very vain actor. Here he delivers his dialogues believing he's has a role in a character/arthouse movie, when it is simply a masala potboiler. The effort just shows.
Aishwarya Rai flits in and out of the frames, wearing some weird attire that no woman who's functional around the house should be caught wearing.
Prince:
The memory is kind of vague, but I remember it was funny. Vaccuum cleaners have undoubtedly been the preferred gadget off late - with the 3 idiots baby delivery, and here, in this movie, helping with the heist.
And code cracking is of the order of "five letter password for a man obsessed with susan"
"I'm in, it's time to win" 'nuff said.